George Sand on the Agony and Ecstasy of the Writing Life Until her surprisingly mellow older age, she was more adept at self-flagellation than self-congratulation. She ran a small private theater at her Nohant estate, at which she staged the plays she wrote, and sometimes performed in them.ĭespite her own protestations to the contrary, George Sand found the discipline to produce an immense body of work. Autobiographical works such as Elle et Lui, about her affair with Musset, were also part of her literary output. Yet despite how attuned she was to injustice, she managed to remain an optimist.Īfter publishing Indiana she went on to write Lélia (1833), Mauprat (1837), Consuelo (1843), Le Meunier d’Angibault (1845), and many others. When the revolution began that year, women had no legal rights, and Sand felt strongly that no society could advance under those circumstances.
She started her own newspaper right around the time of the revolution of 1848 to disseminate her progressive and socialist views. Aside from her published books, she also wielded a journalistic pen to give voice to her concerns for women’s rights and social justice. George Sand made a habit of pleading pity for her “literary agonies.” Despite her complaints, the word “prolific” is woefully inadequate to describe her output. It was during the time of this relationship that she took custody of her daughter, Solange, while her husband, from whom she was legally separated, kept their son, Maurice. It was a controversial novel from the start, and she enjoyed telling critics just where they could get off in a later edition of the book.Īfter her affair with Sandeau ended, she took up with Alfred de Musset, a poet. Sand.” Soon after, she began using George Sand as her own pseudonym, starting with her first novel, Indiana (1832). When Aurore fell in love with the charming young writer Jules Sandeau, they began collaborating on some writings and were collectively “J. Quotes by George Sand on Life, Love, and Work Imagine how revolutionary this was for a woman in the early 1830s! It was at this time that she also began associating with other writers, some of whom became her mentors others, her lovers. She was off to Paris and started earning her own living by writing articles. She left him eight years later - leaving their two children behind as well. Not a bad sort, though crude, he didn’t live up to her romantic expectations of what a husband should be. Her penchant for wearing men’s clothing later in her life may have been planted by her tutor, who encouraged her to wear trousers and shirts while riding horses, something she loved doing, as it gave her a feeling of freedom.Īurore was only nineteen years old when she married Casimir Dudevant, the son of a baron and a servant girl. When she returned home, she studied nature and the works of philosophers. In her youth, Aurore, as she was called, lived and studied for a time in a convent.
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Few authors since have matched her prolific output, and she remains a model for creating a full palette of love, productivity, and family life. Her literary legacy includes more than seventy novels in addition to several plays, countless essays, journalistic pieces, and a multi-volume autobiography. She’s also notorious for the drama in her everyday life, not the least of which was her lively love life, filled with countless romantic entanglements. George Sand (born Amantine-Lucile-Aurore Dupin J– June 8, 1876) was a French novelist, essayist, and playwright known for pushing the envelope on gender roles and cultural expectations.
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